The impact of the world of automobiles and machines on artists has been one of the most interesting, and least investigated, phenomena of the last century. Certainly, automobiles have stimulated many aspects of the avant-garde and the entire figurative adventure from the Futurists and Dadaists to the present day.
This original volume, Auto Tattoo, published in 1986, due to the careful sensitivity and information of Germano Celant, is a valuable contribution to our knowledge of this impact.
Renault, one of the most dynamic car companies open to cultural and visual phenomenons that intertwine between art and automobile, and which has directly favoured the artistic experience on vehicles - as some pages of this book document - has made possible this edition.
Auto Tattoo has 136 pages. Text in Italian, English and French.
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